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Robert W. Woodruff Library draft

The Robert W. Woodruff Library brings together technology specialists and librarians in one facility to provide a range of services, such as collections, study space, research help, etc., to support the academic mission of Emory University.

In the Wake of Slavery and Dispossession

Member for

3 years
Submitted by Kathryn Dixson on

Emory University hosted a symposium on slavery and dispossession in September 2021 to highlight the on-going efforts and research in this area, encourage creative interpretations and dialogue, and to reckon with Emory’s legacy of slavery and racism and its ongoing enduring effects.

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Emory, Racism and the Journey Towards Restorative Justice 
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Emory, Racism and the Journey Towards Restorative Justice 
SYMPOSIUM
Description - Details

About

Many universities are examining their histories and discovering their connections to slave labor and Indigenous dispossession. This symposium highlighted the ongoing efforts and research in the areas of slavery, dispossession, and restorative justice, with a focus on the legacy of racism and its enduring effects at Emory University. The sessions included creative interpretations and dialogue, with a primary focus on the perspectives of Black, Native American, and Indigenous peoples. 

Related Links

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Emory is a member of Universities Studying Slavery
Emory’s Atlanta and Oxford campuses
in a hybrid format (in-person, virtual, physical and digital exhibits)
Virtual Event
No
September 29, 2021 - October 01, 2021
Contact Information - Email address
slaverydispossessionsymposium@emory.edu
Sponsorship statement

Emory is an EEO Employer-Disability/Veteran

Supplemental Content - Section Title
Dive Deeper

Acknowledgement

We acknowledge that Emory University was founded in 1836 on the historic lands of the Muscogee (Creek) Nation, 15 years after the First Treaty of Indian Springs (1821) dispossessed the Muscogee of land including both Emory campus locations. We also acknowledge that Emory University's founders were slaveholders, and the Oxford campus was originally constructed by enslaved people. To these peoples and their descendants, we acknowledge the grave injustices inflicted on them, and we recognize the indelible mark of their labor on the creation of the university.

Collage Images

Black-and-white photos of Black student activists at Emory University (Emory University Archives) 

Rare first edition of David Walker's 19th century anti-slavery book, "Appeal" owned and signed by W.E.B. Du Bois, acquired by Emory University's Stuart A. Rose Manuscript, Archives and Rare Book Library

Photograph of Muscogee Creek Nation leader Chitto Harjo (Chief Crazy Snake), a vocal opponent of government efforts to divide communal land into individually owned allotments (Library of Congress)

Atlanta Journal newspaper article on Kitty's Cottage in Oxford, GA, home to a woman who was enslaved by one of Emory University's trustees

15th-century AD Mississippian shell gorget (pendant), with spirals and land representation (Michael C. Carlos Museum)

Portrait of Frederick Douglass featured in an original copy of one of the abolitionist’s autobiographies, “My Bondage and My Freedom,” published in 1855 (Rose Library)

1850 edition of The Narrative of Sojourner Truth acquired by the Stuart A. Rose Manuscript, Archives and Rare Book Library (article on p. 31)

1925 aerial view of original buildings on Emory University's Oxford campus, which were constructed with slave labor (Emory University Archives)

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Voices from the Other Side

Member for

3 years
Submitted by Kathryn Dixson on

The artwork and literature showcased in this exhibit highlight the intelligence and talent of a student body that society often tries to forget.  Incarcerated men at Phillips State Prison in Buford, Georgia, created the works between 2008 and 2015 in courses sponsored by Common Good Atlanta, a nonprofit organization which was accredited by Georgia State University.  The program continues today to provide a platform for incarcerated individuals to earn credit towards a degree, exercise critical thinking skills, and express themselves within an institution that systematically seeks to strip individuals of their autonomy.

Exhibition Type
On-site
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Artists' Books from Phillips State Prison
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Artists' Books from Phillips State Prison
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"Actually, I still need a lot of work as a human being, but I am a far better person today than I was before I embraced the many teachings that I’ve read.” - William II, “Finding My Spiritual Outlook In Books”

Description - Details

The artwork and literature showcased in this exhibit highlight the intelligence and talent of a student body that society often tries to forget.  Incarcerated men at Phillips State Prison in Buford, Georgia, created the works between 2008 and 2015 in courses sponsored by Common Good Atlanta, a nonprofit organization which was accredited by Georgia State University.  The program continues today to provide a platform for incarcerated individuals to earn credit towards a degree, exercise critical thinking skills, and express themselves within an institution that systematically seeks to strip individuals of their autonomy.

Featured Photo
"Henry David Thoreau" zine displayed in the exhibit. Photo credit: Paige Knight
Robert W. Woodruff Library
Level 1
Location - Map URL
Virtual Event
No
February 02, 2020 - August 10, 2022
Parking Information - Location
Fishburne parking deck
Link to Parking Information
Link to visitor hours
Contact Information - Email address
kathryn.v.dixson@emory.edu
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Speak What Must Be Spoken

Member for

3 years
Submitted by Kathryn Dixson on

Emory Libraries selected “Still Raising Hell” as the basis for the Libraries first K-12 exhibit to serve community schools. Barbara Coble of Emory University’s Graduation Generation Education Partnership joined the Libraries’ team and led the development of curriculum aligning with state standards for excellence supporting fine arts classes and social studies and English/language arts.

Exhibition Type
Traveling
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Art, Archives, & Activism
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Art, Archives, & Activism
Description - Lead Paragraph

"Archives, those which document the lives of African American artists, are essential to telling the complex stories relative to the development of black life in 20th and 21st century America." – Pellom McDaniels III, Curator of African American Collections

Description - Details

Due to COVID-19, travel for this exhibition has been suspended.

“Speak What Must Be Spoken: Art, Archives, and Activism” is the culmination of projects initiated in 2016 around the theme of black art and activism by the late Pellom McDaniels III, Rose Library’s curator of African American collections. McDaniels curated “Still Raising Hell: The Art, Activism, and Archives of Camille Billops and James V. Hatch,” a major exhibition in the Emory Libraries main gallery during 2016-2017.  

Emory Libraries selected “Still Raising Hell” as the basis for the Libraries first K-12 exhibit to serve community schools. Barbara Coble of Emory University’s Graduation Generation Education Partnership joined the Libraries’ team and led the development of curriculum aligning with state standards for excellence supporting fine arts classes and social studies and English/language arts. 

The Libraries exhibitions team adapted elements of the original exhibition and created new elements for installation in a school setting. "Speak What Must Be Spoken" now consists of 10 units that can be used alone or combined with others.

Featured Photo
Installation process image at MLK Middle School in Atlanta, GA
Drew Charter School
Virtual Event
No
January 22, 2020 - May 31, 2025
Parking Information - Location
Yates Campus
Link to Parking Information
Link to visitor hours
Contact Information - Email address
kdixson@emory.edu
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